Jurvanen recorded his debut album, Pink Strat, in a cabin in rural Ontario in 2008. Jurvanen’s storytelling carries weight but alleviates burden through shared experience, reminding his audience of the importance of perspective and laughter.
“Whenever I had a problem, I used to think, ‘Oh, I’ll just do more.  He won the awards in both categories. "Humor and sadness; joy and sorrow;... Chris Hillman’s ‘Time Between’: Byrds, Burritos, Desert Roses with the Man who Was Truly There, Indigo Girls’ Amy Ray Brings Activism To Song With Solo Project Song, “Tear It Down”, The Zen of John Prine (In Three Lines) by Jason Wilber. I had a bass world, a guitar world, a piano world. “It wasn’t so much a professional decision as it was a lifestyle decision and a decision for my family. Downplaying the impressive turn-time, Jurvanen expresses he’s unsure what he would have done with more time. I just feel a lot more agility musically.”. “Before we started recording I just tried to make sure that the lyrics and melody were as direct and powerful as they could be,” Jurvanen says.
, Bahamas at the 2010 Wolfe Island Music Festival, Roots & Traditional Album of the Year – Solo, "Afie Jurvanen reinvents himself as Bahamas", "Music artist Bahamas grows into his adopted name", https://tonedeaf.thebrag.com/city-colour-3/, Canadian Academy of Recording Arts and Sciences, "Exclaim! “Slow songs and rap songs and dance songs. Yes, we know Afie Jurvanen has always been the driving force behind Bahamas, the band, but on the new album, Bahamas is Afie, Bahamas really is …Afie. “But it feels really good to say those things. Yes, we know Afie Jurvanen has always been the driving force behind Bahamas, the band, but on the new album, Bahamas is Afie, Bahamas really is …Afie. In its musing on what’s essential and what’s expendable in today’s world, the album offers up songs like “Own Alone”—a brightly kinetic track threaded with a bit of self-effacing wisdom (“Too broke to feel so wealthy/Too young to feel unhealthy/Too old to understand the selfie/Too far gone for you to help me”). “Whereas, if you do something that feels natural, it allows you to build an audience over time.”. I’d like to have a career that allows me to do that. Be as soft with each other as you possibly can.”. “I’d like to play more in Canada. Jurvanen tours with drummer Jason Tait and backing vocalist Felicity Williams. “I wouldn’t say it’s an overtly political record in any way, but certainly on an emotional level, I’m always trying to write about my life and the world that I live in. Check out our review of the album, here. He worked with a variety of musicians that includes The Lumineers, City and Colour, Feist, Howie Beck, Jason Collett, Jack Johnson, The Weather Station, and Zeus. Sad Hunk is the 5 th album from Toronto-born artist Afie Jurvanen who got his start playing with a who’s who of renowned Canadian artists from City & Colour to Feist to Zues before releasing his debut album, Pink Strat, in 2009. One of the album’s most revealing moments, “Less Than Love” finds Jurvanen owning up to his anxiety about the ways he might fall short of his family’s expectations (“Everything that’s left unsaid/All the books I bought and never read/Thank god she can’t see into my head/She’d see I know nothing”). presentation-ready copies of Toronto Star content for distribution If someone’s in your life, and they’re just giving you bullshit, cut them out— don’t waste your time on that.”. “The big thing is realizing I have no time,” Jurvanen says.
Jurvanen taught himself guitar. I like so many different types of music, so finding a way to have my own voice reflected in all that is hard. His approach to music has undergone an evolution, spurred on in part by parenthood. We just like it here, plain and simple,” he says from his Halifax home. To launch his soulful new Earthtones album, the Toronto singer/songwriter is inviting all his fans onstage with him at Massey Hall, then throwing a skating party. A vulnerable maturity spills from the emotive, “Less Than Love.”. “But I also recognize that if there’s an opportunity for me to tour America or Europe, you kind of have to say ‘yes’ to them when offers come. “That one’s about my brother, who’s a recovering alcoholic and recovering addict and just got sober again a while ago,” says Jurvanen. “The idea that we can solve all of the world’s problems at once could drive you crazy. It’s not only Jurvanen’s approach to performance that’s changed. Republication or distribution of this content is However, the Canadian musician Afie Jurvanen has managed to use that alias to put out five albums to critical acclaim.
The record’s easygoing blend of crooning soul, modern folk, global groove and campfire county is full of the singer’s self-effacing humour and cautious optimism, and much of it originated in songwriting that took place after the Barrie, Ont.-raised performer moved his family to Halifax two years ago. I feel like we don’t get to play enough here,” he says. This idea of originality extends beyond his social media presence. The record’s easygoing blend …
Your email address will not be published. “I think I’m always trying to get closer and closer to the source, like the way old blues albums were made—there’s no production; all the emotion you’re hearing is just the players, the room, the song. His brand of singer-songwriter music incorporates many different genres including pop, R&B, rock, folk, soul, alternative, Caribbean and blues. “It’s possible I’m too open sometimes, but I really don’t know any better way to be. I’d love to have a successful music career — that’s what I’m trying to do — and usually, to do that, it’s synonymous with hit songs and that kinda stuff. harbourfrontcentre.com. And he’s been finding plenty to do even while restricting his movements to the Maritimes. And on the album-closing “Wisdom of the World,” with its shapeshifting textures and unruly guitar solo, Bahamas presents a layered meditation on forgiveness and regret. This locally-focused devotion complicates his relationship with social media and an ever-turning news-cycle delivering devastation around the clock. There are moments on Bahamas is Afie that sound like they drifted in from a rose-coloured 1970s California, moments that unapologetically skirt the edges of “yacht rock” and “adult contemporary” in a manner that’s not at all icky. As a songwriter, he aspires to bring forth as much individualism with as little bullshit as possible. Musical man-about-town Don Kerr helped out with the recording and did a little drumming here and there, while a few friends — including sometime Weakerthan Jason Tait and background vocalist Felicity Williams, both of whom play in the four-piece Bahamas touring ensemble — helped out with the occasional session. “People don’t know what I’m going to do next,” he laughs.
The two bands will meet and play together when Bahamas hits Los Angeles. “The message comes across pretty damn quickly,” he says.
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